We got a short review of our current show on the Susceptible to Images blog by Kat Murrell. The original text is below, but it's part of a much larger post you should go check out HERE.
Night Work opening at the Armoury Gallery
Openings at the Armoury Gallery are always interesting; they tend to have a good mix of people, the gallery itself is a unique space, but more than anything else, gallery proprietors Jessica Steeber and Cassandra Smith consistently put together intriguing shows. This time around, the exhibition is “Night Work,” pieces created by working art instructors. It may be night work, done after the obligations of the day (or so one could imagine), but these pieces are definitely not an afterthoughts or the remnants of creative energy.
Six artists are featured in the show, and it’s impossible to get a really good look at everything during an opening. But, I have to say I’m impressed by Nathaniel Stern and Jessica Meuninch-Ganger, whose multimedia works blend elegant forms of drawing, collage, and art history tradition integrated with digital surprises. It’s a fascinating blend of old and new art technologies.
In the Armoury Gallery, there is an additional room, a small and humble space but becoming one of my favorite gallery spots. Because it’s a closed area and set off from the general hubbub outside, it has an immediate feeling of separation, as though you’ve entered into a place where, even more so than in the main gallery area, anything can happen. This time, the room holds two works by Shana McCaw and Brent Budsberg, both simple but captivating. Unravel links the three-dimensional reality with the two-dimensional possibilities of drawing, and the charming and surreal Draft simply opens up all sorts of imaginative wonderment. Elegant, simple, and inventive.